Marina Abramović: Last year, a friend who I was working with on my opera project “7 Deaths of Maria Callas” in Naples told me, “You have to come to Majorca and hear the voice that is closest to Callas’s.” There was no way I wasn’t going. Sondra was singing [at the Cap Rocat hotel], and the performance broke my heart. Afterward, I was invited for dinner, and we talked about our painful backgrounds. Everything was happening — the death of her mother at the same time as her divorce. I felt like my younger sister had just come out of the cosmos.

Our work is very emotional. My…

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